風逕 / Windscript

作品名稱：風逕

藝術家：李蕢至

藝術協力：張國耀、林漢卿

攝影：姚家卿

媒材：竹子、鋼筋

尺寸：18 m(L)x 13 m (W)x 5.5 m(H)

地點：台灣屏東縣車城鄉海口村海灘

年代：2025

“2025 屏東落山風藝術季”

在屏東海口，落山風不是一時的氣候，而是一種貫穿時序的存在感。當行走來到海岸的邊界，身體將不再是主角，而是風的接收器—作品「風逕」誕生於這樣一個臨界的氣象場域中。以竹為筆，書寫空氣穿越的通道，為風築巢。

此作品以風為題。這裡的風不只是外在自然的力量，它如同與人共享空間的共居者。「風逕」作品以竹材交疊成曲型的動態結構體，姿態如海風捲起沙丘，也如氣流劃過地景時形成的氣象脊線。它如風穿透土地的裂口，也是一場風與身體共鳴的儀式。

作品回應的不僅是地方的地理條件，更是關於「風如何成為一種感知的媒介」的探索。在海風與日落交界之間，它讓藝術不再只是記錄地方，而是與地方一同做夢，被風推往入一場仍在延續的想像之境。

Title: Windscript

Artist: Lee Kuei-Chih

Art assistants: Kok-Yew Chong, Han-Cing Lin

Photographer: Chia-Ching Yao

Materials: Bamboo, Rebar

Size: 18 m(L)x 13 m (W)x 5.5 m(H)

Location: Haikou Beach, Checheng Township, Pingtung County, Taiwan

Year: 2025

“2025 Luo Shan Feng Art Festival”

At Haikou in Pingtung, the downslope wind is not just a passing weather event, but a presence that runs through the flow of time. When one walks to the edge of the coastline, the body ceases to be the protagonist and becomes a receiver of the wind — the work "Windscript" is born in this kind of liminal meteorological field. Using bamboo as a writing tool, it inscribes pathways for air to pass through, building nests for the wind.

This work takes wind as its central theme. Here, the wind is not merely an external force of nature; it is a cohabiting presence that shares the same space with us. "Windscript" is composed of overlapping bamboo elements, forming a curved, dynamic structure whose posture resembles sea winds lifting the dunes, or the meteorological ridgelines traced by air currents carving across the landscape. It is like a fissure through which the wind penetrates the earth, and at the same time, a ritual of resonance between wind and body.

The work responds not only to the place's geographical conditions but also explores how wind becomes a medium of perception. Between sea wind and sunset, it allows art to move beyond merely recording a site, and instead to dream together with it — carried by the wind into an ongoing realm of imagination.

PROCESS

WINDSCRIPT