竹流 Fluxline

作品名稱：竹流 / Fluxline

藝術家：李蕢至

媒材：竹子、鋼筋

尺寸：6m(L)x 5m (W)x 4m(H)

地點：桃園市，台灣

年代：2025

“2025 虎頭山大地藝術節”

《竹流》是一件以竹為語彙、流動為結構原型的大地藝術裝置作品。多股修長竹構雕塑自地面向上延展，並於空中交織匯聚，形構出一座有機、開放、持續生成的空間體。其姿態如氣流般多軸湧動，回應自然界中無形卻無所不在的能量循環。

竹材本身即為永續精神的象徵。它生長快速、可持續採收使用，且具備優異的碳吸附能力，是自然界中兼具結構強度與生態修復潛力的建材。在此作中，竹不僅作為造形的構件，更是承載「與自然共生」理念的語言。其柔韌與再生的特性，使作品彷彿一叢由大地升起的氣根，在風中呼吸、在光中編織，生成可被感知的「流動肌理」。

這樣的動態結構，回應了虎頭山創新園區的場域轉化歷程。從封閉軍事格線轉化為開放共享的文化創新平台。作品的多向聚合與空中交會如同秩序的轉化，從結構性邏輯過渡至生成性的形態。它承載著場域由紀律空間邁向未來敘事的過渡姿態，喚起科技與自然、歷史與未來、人與環境之間多重層次的對話與連結。

在《竹流》中，看不見的力量得以顯形，原本流動的能量被凝聚為詩；它既是一座編織而成的空間結構，也是一種介於土地與空氣之間的大地感知裝置。

Title: Fluxline

Artist: Kuei-Chih Lee

Media: Bamboo, rebars

Size: 6m(L)x 5m(W)x 4m(H)

Location: Taoyuan City, Taiwan

Year: 2025

“Hutoushan Land Art Festival”

"Fluxline" is a land art installation that employs bamboo as its primary material and flow as its structural archetype. Multiple elongated bamboo sculptures extend from the ground in various directions, converging and weaving together mid-air to form an organic, open, and continuously evolving spatial body. Its posture mimics the movement of air currents—multi-axial, dynamic, and responsive to the invisible yet omnipresent circulations of energy in the natural world.

Bamboo itself is a symbol of sustainability. It grows rapidly, can be harvested renewably, and has exceptional carbon sequestration capacity. As a building material, bamboo combines structural strength with ecological resilience. In this work, it functions not only as a sculptural element but also as a material language of coexistence with nature. Its flexibility and regenerative quality allow the structure to resemble a cluster of aerial roots rising from the earth—breathing in the wind, weaving with the light, and forming a tactile “texture of flow.”

This dynamic configuration echoes the spatial transformation of the Hútóu Mountain Innovation Base—from a closed military grid to an open, collaborative platform for cultural and creative practices. The work’s multi-directional convergence and aerial interweaving embody a transformation of order, shifting from structural logic to generative form. It expresses the posture of a site in transition, moving from regulated discipline toward speculative narratives, and invites layered dialogues between technology and nature, past and future, human and environment.

In "Fluxline", the invisible becomes visible. Flows of energy are momentarily suspended, condensed into a form of poetry. It is both a woven spatial structure and a sensory interface between land and air—a space to feel the unseen.