作品名稱：現在山水
創作者：李蕢至
媒材：鐵、竹子、溪流的垃圾、其它自然素材
尺寸：700cm(L)x 210cm(W)x 150cm(H)
地點：新竹市美術館，台灣
年代：2022
現今，人類製造的物質已經遠超過自然界能夠分解的速度了，也產生了環境中的垃圾問題，在自然生態系統上更是迅速失衡。
「山水」一直以來是華人藝術創作的主要題材，在借景抒情的同時傳達超越人類且以自然為主體的哲學觀。我將此環境藝術雕塑命名為「現在山水」。作品以兩道不一樣的流線型雕塑組合而成。第一道流線由竹子等自然素材所組成，象徵河流。第二道流線除了竹子之外結合了溪流的垃圾，並雕塑成山的形狀，象徵著山林。我將這河流與山林的象徵置放在由磚塊排列出如漣漪狀的地面上，猶如從地表升起的飄浮島嶼。此作在全球環境失衡的時代底下以水寓意。從現在的人為干預自然行為反思過去的順應自然的態度，看見我們現在的山水風景。
Title: Today's landscape
Artists: Lee, Kuei-Chih
Material: Rebar, bamboo, garbage from the rivers, other natural materials.
Size: 700cm(L)x 210cm(W)x 150cm(H)
Location: Hsinchu City Art Gallery, Hsinchu city, Taiwan
Year: 2022
Nowadays, the material made by human beings is far more than the speed that nature can decompose, and it has also arisen the problem of garbage in the environment, and it is even more imbalanced in the natural ecosystem.
"Landscape" has always been the main theme of Chinese art creation. While lyric expression through scenery, it conveys the philosophical view of transcendence beyond humanity and is dominated by nature. I named this environmental art sculpture "Today's landscape". The work is combined with two different streamlined sculptures. The first streamline is composed of bamboo and other natural materials, symbolizing the river. The second streamline is composed of bamboo and the garbage from the stream and sculpted it into the mountain shape, symbolizing the mountain. I put the symbols of the river and mountain on the ground that has ripples-shapes, arrangement made with the bricks, and looks like floating islands rising from the ground. The work uses water as a metaphor in the era of unbalanced global environment. From the current behavior of human intervention in nature to rethinking about the past attitude of conforming to nature, seeing our Today's landscape.