回收風景 / Recycling scenery

November 16, 2017

 

空氣草—當代藝術中的展演力 /  Opening Reception " Air Plant"

有章藝術博物館 Our Museum 主辦

 

 

作品名稱回收風景

創作者:李蕢至

媒材:湳仔溝沙泥、電風扇、投射燈、樹枝、回收之生活物件

年代:2017

地點:板橋北區藝術聚落,新北市,台灣

25.008347N, 121.449443E)

 

創作概念:

想像力在空中漫遊,像草一樣生根。 這部作品根據我對河流的記憶再現了風景,並呼應了這次展覽中強調的“空氣植物”主題。 這種再生的風景還基於他對早期南仔溝的記憶。

我將從南子溝的泥漿塗抹在牆上,以創建洪水後的景象。 樹根就像水一樣,佔據了這個房間,而那些交織在一起的則反映了生活空間,就像水印以及小巷中凌亂而交織的金屬絲。 在較高的樓層,充滿物品的房間反映了以前的生活方式。 風扇和照明燈的圖像明顯地投射在牆上,洪水後產生了奇特的風景。 這項作品展現了我對被破壞的過去風景的強烈懷舊感,並利用水的形象連接了城市的特殊風景,創造了人與自然之間平衡而共生的再生風景。

 

 

 

 

Recycling scenery

 

Recycling scenery, mixed materials (Nanzai Ditch mud, Fans, Projection lights, Branches, Recycled living objects), installation, dimensions variable.

North District Art village, New Taipei City, Taiwan

(25.008347N, 121.449443E)

 

    Imagination roams in the air and takes root like grass. This work reproduces a scenery based on my memory of a river and echoes the theme of “air plants” emphasized in this exhibition. This recycled scenery is also based on his memory of the Nanzai Ditch in the early days.

    I smeared mud obtained from the Nanzai Ditch on a wall inside a room to create a view after a flood. Tree roots, like water, occupy this room and those that are intertwined mirror the living space and resemble watermarks and messy and intertwined wires in the alleys. On the upper floors, rooms full of objects reflect previous lifestyles. Images of spinning fans and illuminating lights are visibly projected onto a wall, producing a strange scenery following the flood. This work reveals my strong sense of nostalgia for past scenery that has been destroyed and uses the image of water to connect the city’s special landscape, creating a balanced and symbiotic recycled scenery between man and nature.

 

 

 

 

 

 

 

 

 

 

 

 

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