愛．自由」2014當代書藝聯展
“水書法"是一種只沾水寫字的方法，寫完字後就隨風蒸發了，了無痕跡。而在大地藝術的概念裡頭，藝術品是大自然的一部分，與自然共為一體，跟隨著時間改變。此與自然共同呼息的特性與"水書法"有異曲同工之處。
在此展中，我將"竹曲"大地藝術作品的局部再現於此空間，與此展題做一連結。
“彎曲是直的必需，也是大河必經的過程"，以自然現象說明過程的重要性。
土地存在我們的意識當中，自由飄移，正如一塊瓢浮的土地。
“Water Calligraphy" is a method of writing with a brush dipped with water, after writing with the wind evaporated, without any trace. In the concept of land art, the artwork was a part of nature, that change over time, and to be the one. This characteristics of the artwork’s breathing with nature are similar with “Water Calligraphy".
In the exhibition, I reproduced part of artwork “Bamboo Meander" in the space, and tried to make link with the theme of the exhibition." Meander is necessary to straight, but also a necessary process of river", with explaining the importance of the process from natural phenomena.
Land exists among our consciousness, free drift, just as a floating land.
創作者：李蕢至
材料：竹子、土壤、Video
年代：2014
地點：MADL替代空間
Artist: Lee, Kuei-Chih
Materials: Bamboo、Soil、Video
Year: 2014
Location: MADL space
Video by Yang, Cheng-Shin