竹曲 Bamboo Meander

November 14, 2014

愛.自由」2014當代書藝聯展

 

“水書法"是一種只沾水寫字的方法,寫完字後就隨風蒸發了,了無痕跡。而在大地藝術的概念裡頭,藝術品是大自然的一部分,與自然共為一體,跟隨著時間改變。此與自然共同呼息的特性與"水書法"有異曲同工之處。

在此展中,我將"竹曲"大地藝術作品的局部再現於此空間,與此展題做一連結。

“彎曲是直的必需,也是大河必經的過程",以自然現象說明過程的重要性。

土地存在我們的意識當中,自由飄移,正如一塊瓢浮的土地。

 

“Water Calligraphy" is a method of writing with a brush dipped with water, after writing with the wind evaporated, without any trace. In the concept of land art, the artwork was a part of nature, that  change over time, and to be the one. This characteristics of the artwork’s breathing with nature are similar with “Water Calligraphy".

In the exhibition, I reproduced part of artwork  “Bamboo Meander"  in the space, and tried to make link with the theme of the exhibition." Meander is necessary to straight, but also a necessary process of river", with explaining the importance of the process from natural phenomena.

Land exists among our consciousness, free drift, just as a floating land.

 

創作者:李蕢至

材料:竹子、土壤、Video

年代:2014

地點:MADL替代空間

Artist: Lee, Kuei-Chih

Materials: Bamboo、Soil、Video

Year: 2014

Location: MADL space

 

 Video by Yang, Cheng-Shin

 

 

 

 

 

 

 

Please reload