這島是火山爆發所形成的島，層層肌理的現象是這塊土地上顯著的特色。島上道路的整齊與建設的完美在這火山島上卻形成某種不可思議的地景存在。因此，作品以日本東京都大島町的郵遞區號–〒100-0212作為命名，位置是作品所依循的線索，這件作品我試著用兩個半圓圖像去連結兩地。
This island is formed by volcanic eruptions, Layers of texture is characteristic of the island. But neat island roads and perfect construction in this island that it is already became the formation of some Inconceivable landscape.Therefore, this works used the postcode to named— 〒 100-0212. The location is the trail for artwork, I’m trying to link two places using two semicircular in this work.
〒100-0212 No.1
Artist：Lee, Kuei-Chih、Shilpa Joglekar
Location：Oshima island，Tokyo，Japan
Material：Objects、Natural materials
Year：2013
因應展名"航路"，且此舊波浮小學校為此展主要展場，故於大島波浮港舊校後方進行作品錨定。作品以學校廢棄物件與自然素材在現在進駐的時間點進行製作。在當下拾得故事的集合與自然物的裝置當中，承載著物件背後的許多小故事，也是創作行為的進行式存在與再造。
This exhibition is the name" route". This Habu Elementary School is the main place in this exhibition. Therefore, this work looks like anchoring here. This work was made by used furniture and natural materials. There is many stories behind these materials, This also occurs in the process.
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〒100-0212 No.2
Artist：Lee, Kuei-Chih
Location：Oshima island，Tokyo，Japan
Material：Lava、Branches、Bamboo、Cement block、Tiles、Grass、Soil
Year：2013
在這個炎熱的火山島之間那麼多的房子，我發現了一個空的空間，在過去或許有房子在此。就像是時間被困在虛空當中。透過作品再造這個島嶼的歷史。土地和岩石是由這麼多層次的火山熔岩創造出來的。作品發想自曼陀羅繪畫，且我希望它看起來就像是一個隕星墜落在地球上，引領觀眾進入一個富有想像力的境地。
On this hot volcanic island between so many houses, I found an empty space, perhaps there might have been a house in the past. It seemed like time trapped in emptiness .Through the work I wanted to recreate the history of this island .The land and rocks made by so many layers of volcanic lava.This work is inspired from the mandala paintings and l wanted it to seem like a meteorite had fallen on the earth, and also want to lead the viewer into an imaginative wonderland.